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	<title>Comments on: The Golden Mean in Harmony Part 1</title>
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	<link>http://i.grahamenglish.net/580/the-golden-mean-in-harmony-part-1/</link>
	<description>Songwriter, Recording Artist, and Blogging Musician</description>
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		<title>By: DEZZY</title>
		<link>http://i.grahamenglish.net/580/the-golden-mean-in-harmony-part-1/comment-page-1/#comment-2607</link>
		<dc:creator>DEZZY</dc:creator>
		<pubDate>Thu, 14 Feb 2008 13:16:28 +0000</pubDate>
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		<description>Awsome info now I can prouably get a good grade on my report. It helped alot thanks 4 creating thia site.</description>
		<content:encoded><![CDATA[<p>Awsome info now I can prouably get a good grade on my report. It helped alot thanks 4 creating thia site.</p>
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		<title>By: How Do You Develop New And Interesting Chord Changes? by Graham English</title>
		<link>http://i.grahamenglish.net/580/the-golden-mean-in-harmony-part-1/comment-page-1/#comment-2028</link>
		<dc:creator>How Do You Develop New And Interesting Chord Changes? by Graham English</dc:creator>
		<pubDate>Mon, 10 Dec 2007 06:36:00 +0000</pubDate>
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		<description>[...] I know, it&#8217;s not new, but I-IV-V doesn&#8217;t have to be uninteresting. There&#8217;s a reason why these chords are so fundamental to our harmony. So master them. Use their constraints to challenge your songwriting [...]</description>
		<content:encoded><![CDATA[<p>[...] I know, it&#8217;s not new, but I-IV-V doesn&#8217;t have to be uninteresting. There&#8217;s a reason why these chords are so fundamental to our harmony. So master them. Use their constraints to challenge your songwriting [...]</p>
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