Graham English

Now this pattern is the exact opposite of the twelfth dominant 7 pentatonic scale pattern. Every other note is transposed into the “outside key” but this pattern begins in the outside key and is a full bar long.

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Playing Outside: The Dominant 7 Pentatonic Scale Pattern 14

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This pattern is almost the exact opposite of the previous dominant 7 pentatonic pattern. Every other note is transposed into the “outside key” but this pattern begins in the outside key and is only two beats.

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Playing Outside: The Dominant 7 Pentatonic Scale Pattern 13

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The primary purpose of this dominant 7 pentatonic pattern is to force you to transpose keys a number of times during the bar. If you keep your wits about you as you play this pattern and don’t just memorize it without giving it any thought, you’ll start to become extremely comfortable moving between two keys at will. This pattern changes keys 5 times within a single bar.

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Playing Outside: The Dominant 7 Pentatonic Scale Pattern 11

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