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	<title>Graham English Official Site &#187; John Coltrane</title>
	<atom:link href="http://i.grahamenglish.net/tag/john-coltrane/feed/" rel="self" type="application/rss+xml" />
	<link>http://i.grahamenglish.net</link>
	<description>Songwriter, Recording Artist, and Blogging Musician</description>
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		<copyright>2006-2010 </copyright>
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		<managingEditor>graham@grahamenglish.com (Graham English)</managingEditor>
		<webMaster>graham@grahamenglish.com (Graham English)</webMaster>
		<category>Music</category>
		<ttl>1440</ttl>
		<itunes:keywords>graham english, ear training, songwriting tips, lifehacks, NLP, music education, GTD, peak performance</itunes:keywords>
		<itunes:subtitle>I am a professional blogging musician, songwriter, recording artist, music educator, and lifehacker. I sing, plays keyboards, and explore the vast world of sound hoping to find some magical moments along the way.</itunes:subtitle>
		<itunes:summary>I am a professional blogging musician, songwriter, recording artist, music educator, and lifehacker. I sing, plays keyboards, and explore the vast world of sound hoping to find some magical moments along the way.</itunes:summary>
		<itunes:author>Graham English</itunes:author>
		<itunes:category text="Music"/>
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	<itunes:category text="Personal Journals"/>
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<itunes:category text="Education"/>
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			<itunes:name>Graham English</itunes:name>
			<itunes:email>graham@grahamenglish.com</itunes:email>
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		<itunes:block>No</itunes:block>
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			<title>Graham English Official Site</title>
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		<item>
		<title>Equinox</title>
		<link>http://i.grahamenglish.net/1243/equinox/</link>
		<comments>http://i.grahamenglish.net/1243/equinox/#comments</comments>
		<pubDate>Tue, 21 Oct 2008 14:17:53 +0000</pubDate>
		<dc:creator>Graham English</dc:creator>
				<category><![CDATA[Video]]></category>
		<category><![CDATA[120bpm]]></category>
		<category><![CDATA[C#min]]></category>
		<category><![CDATA[Equinox]]></category>
		<category><![CDATA[hammond]]></category>
		<category><![CDATA[improvisation]]></category>
		<category><![CDATA[jazz]]></category>
		<category><![CDATA[John Coltrane]]></category>
		<category><![CDATA[Nord C1]]></category>
		<category><![CDATA[organ solo]]></category>
		<category><![CDATA[soloing]]></category>
		<category><![CDATA[solos]]></category>
		<category><![CDATA[Viddler]]></category>
		<category><![CDATA[videos]]></category>

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		<description><![CDATA[A late night interpretation of John Coltrane's Equinox performed on my new Nord C1.]]></description>
			<content:encoded><![CDATA[<p>A late night interpretation of John Coltrane&#8217;s Equinox performed on my new Nord C1.</p>
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		<itunes:subtitle>A late night interpretation of John Coltrane's Equinox performed on my new Nord C1.


Equinox from Graham English on Vimeo.
 </itunes:subtitle>
		<itunes:summary>A late night interpretation of John Coltrane's Equinox performed on my new Nord C1.


Equinox from Graham English on Vimeo.
</itunes:summary>
		<itunes:keywords>Video</itunes:keywords>
		<itunes:author>Graham English</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>No</itunes:block>
	</item>
		<item>
		<title>Some Outstanding Podcasts For Musicians</title>
		<link>http://i.grahamenglish.net/1072/some-outstanding-podcasts-for-musicians/</link>
		<comments>http://i.grahamenglish.net/1072/some-outstanding-podcasts-for-musicians/#comments</comments>
		<pubDate>Thu, 19 Jul 2007 00:40:57 +0000</pubDate>
		<dc:creator>Graham English</dc:creator>
				<category><![CDATA[Music Education]]></category>
		<category><![CDATA[Prose]]></category>
		<category><![CDATA[Hip-Hop Money Beat]]></category>
		<category><![CDATA[interviews]]></category>
		<category><![CDATA[jazz]]></category>
		<category><![CDATA[John Coltrane]]></category>
		<category><![CDATA[Miles Davis]]></category>
		<category><![CDATA[NPR]]></category>
		<category><![CDATA[Pandora]]></category>
		<category><![CDATA[podcasts]]></category>

		<guid isPermaLink="false">http://i.grahamenglish.net/1072/some-outstanding-podcasts-for-musicians/</guid>
		<description><![CDATA[Not only am I a podcast author, I&#8217;m a podcast lover. And recently I&#8217;ve come across some podcasts that I&#8217;m really enjoying.
If you&#8217;re a jazz lover, then you&#8217;ll love both NPR: Jazz Profiles and The Traneumentary. NPR&#8217;s Jazz Profiles covers the lives and music of artists like Miles Davis and Ella Fitzgerald. It&#8217;s fantastic! The [...]]]></description>
			<content:encoded><![CDATA[<p><img src="http://www.grahamenglish.net/blog/wp-content/uploads/2007/07/podcasts.png" alt="Podcasts" height="85" width="85" align="right" class="right" />Not only am I a podcast author, I&#8217;m a podcast lover. And recently I&#8217;ve come across some podcasts that I&#8217;m really enjoying.</p>
<p>If you&#8217;re a jazz lover, then you&#8217;ll love both <a href="http://www.npr.org/rss/podcast/podcast_detail.php?siteId=11004004" title="NPR : Podcast Directory">NPR: Jazz Profiles</a> and <a href="http://traneumentary.blogspot.com/" title="The Traneumentary">The Traneumentary</a>. NPR&#8217;s Jazz Profiles covers the lives and music of artists like Miles Davis and Ella Fitzgerald. It&#8217;s fantastic! The Traneumentary celebrates the artistry and recording of John Coltrane. It&#8217;s a deep look into the life and music of this amazing jazz pioneer.</p>
<p>The final podcast is brought to you by <a href="http://blog.pandora.com/podcast/" title="Pandora Podcast">Pandora</a>. One of their most recent episodes details <a href="http://blog.pandora.com/pandora/archives/2007/07/pandora_podcast_11.html" title="Pandora: Pandora Podcast #16:  Hip Hop Rhyme Schemes">Hip Hop Rhyme Schemes</a>. If you&#8217;re not familiar with <a href="http://www.pandora.com/mgp.shtml" title="Pandora Radio - Listen to Free Internet Radio, Find New Music">Pandora and the Music Genome Project</a>, check it out right away. You&#8217;ll love it!</p>
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		</item>
		<item>
		<title>Playing Outside: The Dominant 7 Pentatonic Scale Pattern 1</title>
		<link>http://i.grahamenglish.net/1045/playing-outside-the-dominant-7-pentatonic-scale-pattern-1/</link>
		<comments>http://i.grahamenglish.net/1045/playing-outside-the-dominant-7-pentatonic-scale-pattern-1/#comments</comments>
		<pubDate>Tue, 22 May 2007 00:56:37 +0000</pubDate>
		<dc:creator>Graham English</dc:creator>
				<category><![CDATA[Music Education]]></category>
		<category><![CDATA[Prose]]></category>
		<category><![CDATA[dominant 7]]></category>
		<category><![CDATA[exercises]]></category>
		<category><![CDATA[free lessons]]></category>
		<category><![CDATA[HowTo]]></category>
		<category><![CDATA[improvisation]]></category>
		<category><![CDATA[jazz harmony]]></category>
		<category><![CDATA[John Coltrane]]></category>
		<category><![CDATA[modal]]></category>
		<category><![CDATA[modes]]></category>
		<category><![CDATA[patterns]]></category>
		<category><![CDATA[pentatonic scales]]></category>
		<category><![CDATA[playing outside]]></category>
		<category><![CDATA[saxophone]]></category>
		<category><![CDATA[tips]]></category>

		<guid isPermaLink="false">http://i.grahamenglish.net/1045/playing-outside-the-dominant-7-pentatonic-scale-pattern-1/</guid>
		<description><![CDATA[A favorite scale of jazz saxophonist, John Coltrane, is the Dominant 7 Pentatonic Scale.]]></description>
			<content:encoded><![CDATA[<p>A favorite scale of jazz saxophonist, <a href="http://en.wikipedia.org/wiki/John_coltrane" title="John Coltrane - Wikipedia, the free encyclopedia">John Coltrane</a>, is the <strong>Dominant 7 Pentatonic Scale</strong>.<br />
<img src="http://www.grahamenglish.net/blog/wp-content/uploads/2007/05/c-dominant-7-pentatonic-scale.gif" alt="C Dominant 7 Pentatonic Scale" height="67" width="171"/><br />
<br clear="left" /><br />
During the 60&#8217;s, Trane, and other avant-garde musicians like <a href="http://en.wikipedia.org/wiki/Ornette_Coleman" title="Ornette Coleman - Wikipedia, the free encyclopedia">Ornette Coleman</a>, created a unique style of &#8220;playing outside&#8221; the chord changes. Often, this sound was created by playing a half-step above the tonic mode.<br />
<img src="http://www.grahamenglish.net/blog/wp-content/uploads/2007/05/d-flat-7-pentatonic-scale.gif" alt="D flat 7 Pentatonic Scale" height="70" width="176"/><br />
<br clear="left" /><br />
While it&#8217;s easy to play in D flat over the key of C, these masters of tension and release would weave in and out of the tonic as if they were tearing harmony apart and rebuilding it.</p>
<p>This series of patterns is designed to make you comfortable switching between two modes a half-step apart. We&#8217;ll start simple and get more complex as we go.</p>
<p>This particular four-note pattern changes modes every two beats. Obviously, you would want to practice this in all keys.<br />
<img src="http://www.grahamenglish.net/blog/wp-content/uploads/2007/05/pentatonic-pattern-1.gif" alt="Pentatonic Pattern 1" height="50" width="273"/><br />
<br clear="left" /><br />
Download the full pattern:</p>
<p class="download"><a href="http://www.grahamenglish.net/pdf/Dominant_7_Pentatonic_Pattern_1.pdf.zip">Playing Outside: The Dominant 7 Pentatonic Scale Pattern 1</a></p>
<img src="http://i.grahamenglish.net/?ak_action=api_record_view&id=1045&type=feed" alt="" />]]></content:encoded>
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		<slash:comments>3</slash:comments>
		</item>
		<item>
		<title>The Holy Six</title>
		<link>http://i.grahamenglish.net/871/the-holy-six/</link>
		<comments>http://i.grahamenglish.net/871/the-holy-six/#comments</comments>
		<pubDate>Wed, 26 Jul 2006 15:34:27 +0000</pubDate>
		<dc:creator>Graham English</dc:creator>
				<category><![CDATA[Music Education]]></category>
		<category><![CDATA[Prose]]></category>
		<category><![CDATA[arpeggios]]></category>
		<category><![CDATA[diminished patterns]]></category>
		<category><![CDATA[diminished scale]]></category>
		<category><![CDATA[exercises]]></category>
		<category><![CDATA[John Coltrane]]></category>
		<category><![CDATA[Nathan Davis]]></category>
		<category><![CDATA[patterns]]></category>
		<category><![CDATA[technique]]></category>

		<guid isPermaLink="false">http://i.grahamenglish.net/871/the-holy-six/</guid>
		<description><![CDATA[My saxophone teacher at the University Of Pittsburgh, Dr. Nathan Davis, developed a series of exercises he called, &#8220;The Holy Six.&#8221; Each exercise has a practical musical application and also builds fundamental technique.

Holy Six #1 is a series of major arpeggios weaving up and down a half step at a time. For variation, try different [...]]]></description>
			<content:encoded><![CDATA[<p>My saxophone teacher at the <a href="http://www.pitt.edu/" target="_blank" rel="tag" title="University of Pittsburgh">University Of Pittsburgh</a>, <a href="http://www.pitt.edu/~pittjazz/" target="_blank" rel="tag" title="Dr. Nathan Davis">Dr. Nathan Davis</a>, developed a series of exercises he called, &#8220;The Holy Six.&#8221; Each exercise has a practical musical application and also builds fundamental technique.</p>
<ul type="I">
<li type="I">Holy Six #1 is a series of major arpeggios weaving up and down a half step at a time. For variation, try different chord qualities and inversions.<br />
<img src="http://www.grahamenglish.com/images/holy6_1_example.gif" width="250" height="59" border="0" alt="holy six 1" /></li>
<li type="I">Holy Six #2 is a pattern based on a V-I progression and is repeated by transposing a whole step. For variation, try different chord qualities.<br />
<img src="http://www.grahamenglish.com/images/holy6_2_example.gif" width="248" height="57" border="0" alt="holy six 2" /></li>
<li type="I">Holy Six #3 is a pattern based on the diminished scale. A favorite of John Coltrane, this exercise has plenty of practical application and room for variation.<br />
<img src="http://www.grahamenglish.com/images/holy6_3_example.gif" width="249" height="49" border="0" alt="holy six 3" /></li>
<li type="I">Holy Six #4 is a four note pattern (1-2-3-5) repeated in the interval of a minor third.<br />
<img src="http://www.grahamenglish.com/images/holy6_4_example.gif" width="247" height="43" border="0" alt="holy six 4" /></li>
<li type="I">Holy Six #5 is another four note pattern (b6-5-3-1) repeated in intervals of a major third.<br />
<img src="http://www.grahamenglish.com/images/holy6_5_example.gif" width="247" height="50" border="0" alt="holy six 5" /></li>
<li type="I">Holy Six #6 is a pattern I like to call, &#8220;The Windmill.&#8221; A flurry of fourths within a larger pattern of minor thirds&mdash;the faster this pattern is played, the more you blow people away.<br />
<img src="http://www.grahamenglish.com/images/holy6_6_example.gif" width="241" height="52" border="0" alt="holy six 6" /></li>
</ul>
<p><strong>Get the entire Holy Six for free:</strong></p>
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		</item>
		<item>
		<title>Who Else Wants To Master the Diminished Scale?</title>
		<link>http://i.grahamenglish.net/840/who-else-wants-to-master-the-diminished-scale/</link>
		<comments>http://i.grahamenglish.net/840/who-else-wants-to-master-the-diminished-scale/#comments</comments>
		<pubDate>Thu, 15 Jun 2006 17:19:40 +0000</pubDate>
		<dc:creator>Graham English</dc:creator>
				<category><![CDATA[Music Education]]></category>
		<category><![CDATA[Prose]]></category>
		<category><![CDATA[creativity]]></category>
		<category><![CDATA[diminished scale]]></category>
		<category><![CDATA[John Coltrane]]></category>
		<category><![CDATA[lessons]]></category>
		<category><![CDATA[music lessons]]></category>
		<category><![CDATA[Music Theory]]></category>
		<category><![CDATA[MusicHacks]]></category>
		<category><![CDATA[patterns]]></category>
		<category><![CDATA[scales]]></category>
		<category><![CDATA[symmetry]]></category>

		<guid isPermaLink="false">http://i.grahamenglish.net/840/who-else-wants-to-master-the-diminished-scale/</guid>
		<description><![CDATA[The diminished scale is an extremely creative tool. Due to the diminished chord&#8217;s symmetrical structure of stacked minor thirds, we have two options of diminished scales: half step-whole step and whole step-half step.


A major benefit to this scale is that you only have to learn it in three different keys since it repeats itself every [...]]]></description>
			<content:encoded><![CDATA[<p>The diminished scale is an extremely creative tool. Due to the diminished chord&#8217;s symmetrical structure of stacked minor thirds, we have two options of diminished scales: half step-whole step and whole step-half step.</p>
<p><img src="http://www.grahamenglish.com/images/half_whole_scale.gif" alt="half whole scale" border="0" /><br />
<br clear="left" /><br />
A major benefit to this scale is that you only have to learn it in three different keys since it repeats itself every minor third. Another useful aspect of its symmetrical and repeating nature is the use of scale patterns. Patterns can be a wonderful source of inspiration for solos as well as being useful in improving finger dexterity. And now for some practical applications:</p>
<p>In this example, the scale (whole step-half step) is played over a Dmin7 chord and ends nicely by leading into the third (G#) of the E7 chord.</p>
<p><img src="http://www.grahamenglish.com/images/dim-example1.gif" alt="diminished example 1" border="0" /><br />
<br clear="left" /><br />
This example is similar to the first but uses a different diminished scale over the same chord (Dmin7).</p>
<p><img src="http://www.grahamenglish.com/images/dim-example2.gif" alt="diminished example 2" border="0" /><br />
<br clear="left" /><br />
This is a nice long run over a G7 chord.</p>
<p><img src="http://www.grahamenglish.com/images/dim-example3.gif" alt="diminished example 3" border="0" /><br />
<br clear="left" /><br />
Here&#8217;s a pattern in the style of John Coltrane.</p>
<p><img src="http://www.grahamenglish.com/images/dim-example4.gif" alt="diminished example 4" border="0" /><br />
<br clear="left" /><br />
Get 17 of my favorite diminished scale patterns for free:</p>
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		</item>
		<item>
		<title>So What: Miles Davis and John Coltrane</title>
		<link>http://i.grahamenglish.net/803/so-what-miles-davis-and-john-coltrane/</link>
		<comments>http://i.grahamenglish.net/803/so-what-miles-davis-and-john-coltrane/#comments</comments>
		<pubDate>Sun, 07 May 2006 08:31:37 +0000</pubDate>
		<dc:creator>Graham English</dc:creator>
				<category><![CDATA[Music Education]]></category>
		<category><![CDATA[Video]]></category>
		<category><![CDATA[jazz]]></category>
		<category><![CDATA[John Coltrane]]></category>
		<category><![CDATA[Miles Davis]]></category>
		<category><![CDATA[videos]]></category>
		<category><![CDATA[YouTube]]></category>

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		<description><![CDATA[Check out Miles Davis with John Coltrane and Wynton Kelly performing &#8220;So What&#8221; on YouTube:
Found via Crooks and Liars
]]></description>
			<content:encoded><![CDATA[<p>Check out Miles Davis with John Coltrane and Wynton Kelly performing <a href="http://www.youtube.com/watch?v=U4FAKRpUCYY" target="_blank" rel="tag">&#8220;So What&#8221; on YouTube</a>:</p>
<p>Found via <a href="http://www.crooksandliars.com/2006/05/06.html#a8192" target="_blank" rel="tag">Crooks and Liars</a></p>
<img src="http://i.grahamenglish.net/?ak_action=api_record_view&id=803&type=feed" alt="" />]]></content:encoded>
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