Average Words Per Song And The 80/20 Rule
December 26, 2007
2 CommentsIn preparation for my 2008 song-a-week project, I wanted some numbers to give me an idea of how much writing I would need to do. Using the 80/20 rule—only 20 percent of my writing will make the cut while 80 percent will go into the waste basket—here is what I came up with.
Born to Run by Bruce Springsteen averages 281 words per song. Nothing Like The Sun by Sting averages 206. The Beatles’ Abbey Road averages 102 and Let It Be averages 139.
This means that if a song has between 100-300 words, I’ll need to write 500-1500 words. Not a very difficult task when you look at it that way. So far, this blog post has 127 words. Now, this won’t include object writing exercises. Object writing is like a warm up before exercise. It just loosens the muscles and doesn’t count into the actual sets and reps you will do.
In terms of musical content, I’ll need to write five different choruses and five different verses. I’ll probably choose the best chorus first and then write five different contrasting verses and choose the best one.
This give me a really good rough idea of how much writing I’ll be doing in the new year. Wish me luck!
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(1 votes, average: 4 out of 5)
Loading ...The Best Of Graham English 2007
December 24, 2007
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It’s time for my yearly reflections and celebrations.
By far the most popular and most controversial post of 2007 was The Zen Of Attraction. I’m surprised at the attention it received because I wrote it as an aside. Some people loved it and some people hated it. But what was most interesting for me was how many people hated not the article, but me. I mean these were just simple ideas that are totally debatable. This post led me to define some comment rules that include no personal attacks. I’m willing to debate ideas but not whether I’m a good person or not. It was a very interesting experience!
The second most popular post was iQuickTwitter - My Quicksilver + Twitter + iChat + Growl Hack. This little app got some serious link love from TUAW, Ars Technica, and many other fantastic blogs. And a big reason why I didn’t blog as much as I did in 2006 was because of Twitter. If I ever had something short and simple to say, rather than try to develop it into at least 250 words, which I previously believed warranted a blog post, I would just post it to Twitter, which has a limit of 140 characters. I think my strategy will change some in 2008. My new Lifestream category will probably see a lot more action whenever I find that 140 characters is not enough. The most significant change is that I won’t keep such a tightly controlled niche blog. The only thing tying this blog together is that I am writing it, not the subject matter. So if I feel like saying something, this blog will take priority.
Along similar lines as iQuickTwitter were my many posts on automation. Some of them were conceptual, like Automation As Part Of An Integral Life Practice and Automating The Quality Of Your Attention. While others were specific and geeky, like IM Status: Update Your Skype, iChat, Or Adium Status With Quicksilver, Top 5 AppleScript Productivity Hacks for WordPress Bloggers and Podcasters, and Blogging With Quicksilver And AppleScript. I’ve really grown to see automation as an important part of life that I need to revisit again and again.
Some of my favorite songwriting articles were Applying The 80-20 Rule To Your Songwriting, my Hit Songwriting Tips Podcast, The Secret Alchemy Of Songwriting, 5 Sure Fire Ways To Kick-Start The Songwriting Habit, Rewriting Song Titles For Practice And Inspiration, and What Makes a Good Song? My biggest disappointment of 2007 was the small amount of completed songs. I finished only about half a dozen songs and published just one of them, which I’m quite proud of, “When The Wall Falls Down.”
I also didn’t write about ear training or music theory nearly as much as I did in 2006. But I have a few favorites, such as How To Use Tension And Release In Your Melodies, my Absolute Pitch Ear Training Podcast, Playing Outside: The Dominant 7 Pentatonic Scale, and Ear Training or Listening Practice?
Two great moments of 2007 were getting my new MacBook Pro and iPhone. The new Mac inspired a whole new series of podcasts called Graham English Talks and introduced my own videos, like The Best Of Dwight Schrute Part 1, Part 2, and Part 3. The iPhone inspired Brian Eno’s Oblique Strategies For Your iPhone and made my tech life much more streamlined.
2007 was definitely a year of social networking. Twitter, Facebook, Last.fm, Stumbleupon, and many other social networks occupied a large part of my time online. And there were many benefits like making new friends, reconnecting with old friends, finding a larger reach for my articles and music, and discovering new forms of self-expression. It confirms how important relationships truly are.
Which leads me to the very best of 2007, You! My life wouldn’t be nearly as fulfilling without the special presence of you. The support of my readers and listeners has made the tough times easier and the good times even better. I sincerely hope that we stay connected through 2008. Thanks for sticking with me through 2007. w00t!
(4 votes, average: 4.75 out of 5) Loading ...Rewriting Song Titles For Practice And Inspiration
December 22, 2007
0 CommentsHere’s an exercise I love to do when I need inspiration for song titles. If nothing’s coming naturally, this trick can really get the creative juices flowing. Even if I end up using nothing that I come up with, I find that within a day or two, one of my ideas will trigger something completely different, usable, and inspiring.
The idea is simple. Rewrite song titles.
Song titles are great starting points. Song titles are often the hook. Once you’ve got a great hook, just about any competent or interesting verse will complete the song. So starting with a song title or hook gets you about 80 percent of the way there.
I have many sources that I go to, various iTunes top 10 lists, Billboard charts, The Rock and Roll Hall of Fame’s 500 Songs that Shaped Rock and Roll, and many others. Even if you come up empty, it’s great practice and gives you insight into the songwriting of whomever you choose to emulate.
Take the following example, “I Will Dare” by The Replacements. If I begin by keeping the same syllables but looking for opposite meaning I get something like “You Won’t Dare”—keeping close to the original—or “You Won’t Risk.” Both of those titles give me ideas to develop into complete songs.
“After Midnight” by Eric Clapton becomes “Before Noon.” Beginning with “I Love Rock ‘N Roll,” first charted by Joan Jett & the Blackhearts, you could change it to the shocked and rhetorical question, “You Hate Rock and Roll?!” Or keep the content similar but change the style of music to “I Love Dance Punk.” “Long Tall Sally” by Little Richard could become “Big Bad Brady.” I found that name using a baby name finder.
There’s no rules to this game. But you can set up some guidelines or directions to get you started. With “Long Tall Sally,” I tried to keep the song’s original alliteration. With “After Midnight,” I looked for the opposite meaning—even though after midnight and before noon refer to the same 12 hours. 
I often like to keep the same syllables since most great titles come with a built-in infectious rhythm. Internal rhymes, alliteration, content, any literary device can be kept, manipulated, or left behind.
I like to do little exercises like this whenever I’m running out of ideas or I’ve got a little down time. They grease your creative gears and give you plenty of material to work with. And they’re pretty easy to invent. Have fun and let me know what you come up with!
(2 votes, average: 4.5 out of 5) Loading ...5 Sure Fire Ways To Kick-Start The Songwriting Habit
October 26, 2007
4 CommentsIf you don’t already write songs regularly, then it’s safe to say that you don’t yet have a songwriting habit. Because if you did, you would feel compelled to write songs every day and perhaps all day long.
We could talk about motivation or anchoring overwhelming desire to the thought of writing songs, but one sure fire way to develop a consistent songwriting practice is to make it an unconscious habit.
Here are 5 tips to help you develop the habit of writing songs.
- Write nothing but song titles
If the thought of writing a chorus, a bridge, and multiple verses is overwhelming to you, then just write some simple song titles. For song title inspiration, read my post on The Astonishing Hit-Making Magic of Song Titles. - Write for the garbage can without feeling guilty
The 80/20 rule will tell you that 20 percent of your writing will make the cut, 80 percent won’t. If you write 100 words a day, 20 of them might be useable. So if you need 100 words to complete your song, you need to write around 500 words. That’s why I write for the garbage can. - Schedule songwriting appointments
Think of something you do everyday that requires little effort or self-motivation, like eating when you’re hungry. You probably don’t need to schedule your meals in a calendar. You eat when your body tells you that you’re hungry. That’s the kind of habit you’re looking to develop with your songwriting. It’s automatic. But to get to that level, it might be useful to schedule your songwriting sessions and never break them. Keep it up for thirty days and see if you don’t get “hunger pangs” when you haven’t written anything for more than a few hours. - Edit older songs
Sometimes tinkering with an old song feels better than starting a song from scratch. If that feels like the case for you, then follow your desire to tinker. You’ll still be exercising your songwriting chops. Now, if you have an aversion to writing new songs you’ll need to look into your reluctance. But you can do that after you’ve developed a strong songwriting habit. Who knows, it might just disappear on its own. - Transcribe your favorite songwriter’s songs
Rewrite the lyrics to your favorite lyricist in long hand. Pretend you’re in their head and creating the song from scratch. Transcribe melodies, hooks, chord changes, anything to immerse yourself in the art and craft of songwriting.
As with all tips, they don’t work until you do them. Go schedule some time to write now!
(Inspired by Freelance Folder)
(4 votes, average: 4.75 out of 5) Loading ...The Secret Alchemy Of Songwriting
September 27, 2007
4 Commentsmetaphor
noun
a figure of speech in which a word or phrase is applied to an object or action to which it is not literally applicable
If you’re a writer, of course you know what the word metaphor means. But you might not know that the word was first introduced in the year 1447 with the book The Ordinal of Alchemy by Thomas Norton. Alchemists, because of the forbidden tradition of writing down spells and secrets of their art, had to be obscure when transmitting their esoteric knowledge to prime pupils. Thus, the term metaphor was born.
It’s exciting to think of yourself as an alchemist who can turn lead into gold. You’re a wordsmith who takes language and gives it meaning. Aside from the very real gold your final creation can bring you, contributing your art to the world brings gold to your listeners in the form of improved quality of life.
My favorite technique for creating fresh metaphors is the “duh” technique (I learned this from Shane Adams). You start with your first object, cake. Think of the most obvious characteristic of the object, as in the cake is round. This is called the “duh” description. Now take the “duh” description and think of something else that has that quality or characteristic. The cake is round… duh… what else is round? The moon. Now think of a “duh” characteristic of the second object, the moon glows, the moon is distant. Now plug those new traits into the original, the cake glows like a distant moon.
Your songwriting is the language of your soul. Look within and transform the world.
(2 votes, average: 4 out of 5) Loading ...