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	<title>Graham English Official Site &#187; symmetry</title>
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	<description>Songwriter, Recording Artist, and Blogging Musician</description>
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		<itunes:subtitle>I am a professional blogging musician, songwriter, recording artist, music educator, and lifehacker. I sing, plays keyboards, and explore the vast world of sound hoping to find some magical moments along the way.</itunes:subtitle>
		<itunes:summary>I am a professional blogging musician, songwriter, recording artist, music educator, and lifehacker. I sing, plays keyboards, and explore the vast world of sound hoping to find some magical moments along the way.</itunes:summary>
		<itunes:author>Graham English</itunes:author>
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		<title>Mozart&#8217;s Deceptive Simplicity</title>
		<link>http://i.grahamenglish.net/1636/mozarts-deceptive-simplicity/</link>
		<comments>http://i.grahamenglish.net/1636/mozarts-deceptive-simplicity/#comments</comments>
		<pubDate>Thu, 19 Nov 2009 03:06:16 +0000</pubDate>
		<dc:creator>Graham English</dc:creator>
				<category><![CDATA[Music Education]]></category>
		<category><![CDATA[Prose]]></category>
		<category><![CDATA[classical]]></category>
		<category><![CDATA[classical music]]></category>
		<category><![CDATA[melody]]></category>
		<category><![CDATA[Mozart]]></category>
		<category><![CDATA[NPR]]></category>
		<category><![CDATA[phrase length]]></category>
		<category><![CDATA[phrasing]]></category>
		<category><![CDATA[simplicity]]></category>
		<category><![CDATA[symmetry]]></category>
		<category><![CDATA[Wolfgang Amadeus Mozart]]></category>

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		<description><![CDATA["Hear commentator Rob Kapilow demonstrate how Mozart sets up our expectations but takes us in unpredictable directions in the String Quintet in G minor. His music, like a hologram, flashes back and forth between the simple and the complicated."]]></description>
			<content:encoded><![CDATA[<blockquote><p>Hear commentator Rob Kapilow demonstrate how Mozart sets up our expectations but takes us in unpredictable directions in the String Quintet in G minor. His music, like a hologram, flashes back and forth between the simple and the complicated.</p></blockquote>
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<p>Link: <a href="http://www.npr.org/templates/story/story.php?storyId=111630915&#038;ft=1&#038;f=1039">Mozart&#8217;s Deceptive Simplicity</a></p>
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		<title>Who Else Wants To Master the Diminished Scale?</title>
		<link>http://i.grahamenglish.net/840/who-else-wants-to-master-the-diminished-scale/</link>
		<comments>http://i.grahamenglish.net/840/who-else-wants-to-master-the-diminished-scale/#comments</comments>
		<pubDate>Thu, 15 Jun 2006 17:19:40 +0000</pubDate>
		<dc:creator>Graham English</dc:creator>
				<category><![CDATA[Music Education]]></category>
		<category><![CDATA[Prose]]></category>
		<category><![CDATA[creativity]]></category>
		<category><![CDATA[diminished scale]]></category>
		<category><![CDATA[John Coltrane]]></category>
		<category><![CDATA[lessons]]></category>
		<category><![CDATA[music lessons]]></category>
		<category><![CDATA[Music Theory]]></category>
		<category><![CDATA[MusicHacks]]></category>
		<category><![CDATA[patterns]]></category>
		<category><![CDATA[scales]]></category>
		<category><![CDATA[symmetry]]></category>

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		<description><![CDATA[The diminished scale is an extremely creative tool. Due to the diminished chord&#8217;s symmetrical structure of stacked minor thirds, we have two options of diminished scales: half step-whole step and whole step-half step.


A major benefit to this scale is that you only have to learn it in three different keys since it repeats itself every [...]]]></description>
			<content:encoded><![CDATA[<p>The diminished scale is an extremely creative tool. Due to the diminished chord&#8217;s symmetrical structure of stacked minor thirds, we have two options of diminished scales: half step-whole step and whole step-half step.</p>
<p><img src="http://www.grahamenglish.com/images/half_whole_scale.gif" alt="half whole scale" border="0" /><br />
<br clear="left" /><br />
A major benefit to this scale is that you only have to learn it in three different keys since it repeats itself every minor third. Another useful aspect of its symmetrical and repeating nature is the use of scale patterns. Patterns can be a wonderful source of inspiration for solos as well as being useful in improving finger dexterity. And now for some practical applications:</p>
<p>In this example, the scale (whole step-half step) is played over a Dmin7 chord and ends nicely by leading into the third (G#) of the E7 chord.</p>
<p><img src="http://www.grahamenglish.com/images/dim-example1.gif" alt="diminished example 1" border="0" /><br />
<br clear="left" /><br />
This example is similar to the first but uses a different diminished scale over the same chord (Dmin7).</p>
<p><img src="http://www.grahamenglish.com/images/dim-example2.gif" alt="diminished example 2" border="0" /><br />
<br clear="left" /><br />
This is a nice long run over a G7 chord.</p>
<p><img src="http://www.grahamenglish.com/images/dim-example3.gif" alt="diminished example 3" border="0" /><br />
<br clear="left" /><br />
Here&#8217;s a pattern in the style of John Coltrane.</p>
<p><img src="http://www.grahamenglish.com/images/dim-example4.gif" alt="diminished example 4" border="0" /><br />
<br clear="left" /><br />
Get 17 of my favorite diminished scale patterns for free:</p>
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