Graham English

Now this pattern is the exact opposite of the twelfth dominant 7 pentatonic scale pattern. Every other note is transposed into the “outside key” but this pattern begins in the outside key and is a full bar long.

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Playing Outside: The Dominant 7 Pentatonic Scale Pattern 14

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(1 votes, average: 3 out of 5)

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This pattern is almost the exact opposite of the previous dominant 7 pentatonic pattern. Every other note is transposed into the “outside key” but this pattern begins in the outside key and is only two beats.

Download the full pattern:

Playing Outside: The Dominant 7 Pentatonic Scale Pattern 13

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This dominant 7 pentatonic pattern is super squiggly. Every other note is transposed into the “outside key” for superior in-the-moment transposition skills.

As always, don’t just memorize this pattern technically. After you have your technique down and can play it relatively fast, focus on your mind and how it understands the theory logically as you play.

Download the full pattern:

Playing Outside: The Dominant 7 Pentatonic Scale Pattern 12

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(1 votes, average: 4 out of 5)

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