This dominant 7 pentatonic pattern spends more time in the "outside" key. Only the first full beat of each phrase is in the original key. Without looking at this pattern, can you play it? You should be getting more comfortable switching keys. Even if … [Read more...]
Playing Outside: The Dominant 7 Pentatonic Scale Pattern 5
This dominant 7 pentatonic pattern gets tougher again. It has four notes in C and four notes in D flat but they are all spread throughout the bar. Again, this pattern helps you to get comfortable transposing quickly. And all of these patterns … [Read more...]
Playing Outside: The Dominant 7 Pentatonic Scale Pattern 4
This pattern should be easier than the previous dominant 7 scale pattern. The transposition doesn't split the bar so you only have to think about transposing once during the full pattern. The rewarding function of this pattern is that you can use … [Read more...]
Playing Outside: The Dominant 7 Pentatonic Scale Pattern 3
This dominant 7 pentatonic pattern is similar to the previous pattern. It still moves up a half step for a total of 2 notes in an eight note pattern. But this time, the transposed notes are the fifth and eighth notes in the sequence. This means that … [Read more...]
Playing Outside: The Dominant 7 Pentatonic Scale Pattern 2
If Dominant 7 Pentatonic Scale Pattern 2 seemed easy to you, I guarantee you'll find this next one more challenging. Last time, we took a four-note pattern and transposed it up a half step for the second half of the bar. This time, we're using a … [Read more...]
Playing Outside: The Dominant 7 Pentatonic Scale Pattern 1
John Coltrane loved the Dominant 7 Pentatonic Scale. During the 60s, Trane (and other avant-garde musicians like Ornette Coleman) created a unique and dissonant style of "playing outside" the chord changes. Often, they would play a half-step … [Read more...]
The Holy Six
My saxophone teacher at the University Of Pittsburgh, Dr. Nathan Davis, developed a series of exercises he called, "The Holy Six." Each exercise has a practical musical application and also builds fundamental technique. Holy Six #1 is a series of … [Read more...]
Top Secret Patterns (shhh, they’re free!)
Patterns are a great way of putting scales to work. Not only do they get you out of any do-re-mi rut, they expand your musical vocabulary. They also expand your mind by forcing you to think about systems within systems—and sometimes within … [Read more...]
Who Else Wants To Master the Diminished Scale?
The diminished scale is an extremely creative tool. Due to the diminished chord's symmetrical structure of stacked minor thirds, we have two options of diminished scales: half step-whole step and whole step-half step. A major benefit to this … [Read more...]