This dominant 7 pentatonic pattern gets tougher again. It has four notes in C and four notes in D flat but they are all spread throughout the bar. Again, this pattern helps you to get comfortable transposing quickly. And all of these patterns … [Read more...]
Playing Outside: The Dominant 7 Pentatonic Scale Pattern 4
This pattern should be easier than the previous dominant 7 scale pattern. The transposition doesn't split the bar so you only have to think about transposing once during the full pattern. The rewarding function of this pattern is that you can use … [Read more...]
Playing Outside: The Dominant 7 Pentatonic Scale Pattern 3
This dominant 7 pentatonic pattern is similar to the previous pattern. It still moves up a half step for a total of 2 notes in an eight note pattern. But this time, the transposed notes are the fifth and eighth notes in the sequence. This means that … [Read more...]
Playing Outside: The Dominant 7 Pentatonic Scale Pattern 2
If Dominant 7 Pentatonic Scale Pattern 2 seemed easy to you, I guarantee you'll find this next one more challenging. Last time, we took a four-note pattern and transposed it up a half step for the second half of the bar. This time, we're using a … [Read more...]
Playing Outside: The Dominant 7 Pentatonic Scale Pattern 1
John Coltrane loved the Dominant 7 Pentatonic Scale. During the 60s, Trane (and other avant-garde musicians like Ornette Coleman) created a unique and dissonant style of "playing outside" the chord changes. Often, they would play a half-step … [Read more...]
Hit Songwriting Tips Podcast 08-22-06
Topics covered: Chord progressions, I-IV-V, The blues, classical music, mashups, melody, modal progressions, music software, rhythm... Download: Hit Songwriting Tips Podcast 08-22-06 … [Read more...]
The Rules and Principles of Counterpoint
These rules of counterpoint are simple and easy to memorize. Use them during the arranging phase of your music producing. Counterpoint: a composition which is written strictly according to technical rules. In earlier times, instead of our modern … [Read more...]
Piano Voicings Part 3: Fourth Chords
Fourth chords create harmonies reminiscent of McCoy Tyner's playing. Stacked fourths have a wide open texture and are complimented very well by pentatonic scales. Begin on the third of a major scale and keep adding fourths as your taste dictates. … [Read more...]
Piano Voicings Part 2: So What Chords
So what chords get their name from the song of the same title on Miles Davis' record, Kind Of Blue. This voicing consists of a series of three perfect fourths with a third on top: So what chords can be moved up and down all scale degrees of … [Read more...]
How Do You Develop New And Interesting Chord Changes?
Here's a handful of my top techniques that I use to develop new and interesting chord changes. 1. Stick with I-IV-V I know, it's not new, but I-IV-V doesn't have to be uninteresting. There's a reason why these chords are so fundamental to our … [Read more...]