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Playing Outside: The Dominant 7 Pentatonic Scale Pattern 1

May 21, 2007 By Graham English

Dominant 7 Pentatonic Scale Pattern 1
John Coltrane loved the Dominant 7 Pentatonic Scale.

C7 Pentatonic Scale

C7 Pentatonic Scale

During the 60s, Trane (and other avant-garde musicians like Ornette Coleman) created a unique and dissonant style of “playing outside” the chord changes. Often, they would play a half-step above the tonic mode. This technique creates extreme harmonic tension.

D flat 7 Pentatonic Scale

D flat 7 Pentatonic Scale

You might think that it’s easy to play in the key of D flat over the key of C (or not), but Coltrane and Coleman were masters of tension and release. They would weave in and out of the tonic as if they were tearing harmony apart and rebuilding it.

This series of patterns is designed to make you comfortable switching between two modes a half-step apart. This series starts simple and gets more complex as it goes.

This four-note pattern changes modes every two beats. Practice this pattern in all keys.

The Dominant 7 Pentatonic Scale Pattern 1

The Dominant 7 Pentatonic Scale Pattern 1

Download: Playing Outside: The Dominant 7 Pentatonic Scale Pattern 1
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Filed Under: Music Education, Prose Tagged With: dominant 7, exercises, free lessons, HowTo, improvisation, jazz harmony, John Coltrane, modal, modes, patterns, pentatonic scales, playing outside, saxophone, tips

About Graham English

Graham English is a musician, author, and entrepreneur.

Comments

  1. John Milner says

    August 3, 2007 at 3:35 PM

    Great resource. I need to spend more time checking this out.

  2. Graham English says

    August 6, 2007 at 11:52 AM

    Glad you like it John! Thanks for commenting.

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