Graham English

This pattern should be easier than the previous dominant 7 scale pattern. The transposition doesn’t split the bar so you only have to think about transposing once during the full pattern.

The rewarding function of this pattern is that you can use it as a preparation to go deeper into the transposed key. While the pattern drops back down to the original key at the beginning of each bar, in a practical application, you can remain in the transposed key. So it can be used as a fresh twist in your solos because you’re beginning to play outside the original key on beat 4, which will provide tension not only tonally, but with the meter as well.



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Playing Outside: The Dominant 7 Pentatonic Scale Pattern 4

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Tags: dominant 7, exercises, free lessons, HowTo, improvisation, jazz harmony, modal, modes, patterns, pentatonic scales, playing outside, soloing, tips, transposing

This entry was posted on Monday, June 4th, 2007 at 1:07 pm and is filed under Music Education, Prose. You can leave a comment if you follow my Living Room Rules. If not, you can leave a trackback from your own site.