This will be the last dominant 7 pentatonic scale pattern in this series. This pattern begins in the "outside key" and moves to the tonic key for two notes before switching back. The second part of the pattern begins in the tonic key, switches to the … [Read more...]

Now this pattern is the exact opposite of the twelfth dominant 7 pentatonic scale pattern. Every other note is transposed into the "outside key" but this pattern begins in the outside key and is a full bar long. Download the full … [Read more...]

This pattern is almost the exact opposite of the previous dominant 7 pentatonic pattern. Every other note is transposed into the "outside key" but this pattern begins in the outside key and is only two beats. Download the full pattern: Playing … [Read more...]

This dominant 7 pentatonic pattern is super squiggly. Every other note is transposed into the "outside key" for superior in-the-moment transposition skills. As always, don't just memorize this pattern technically. After you have your technique … [Read more...]

The primary purpose of this dominant 7 pentatonic pattern is to force you to transpose keys a number of times during the bar. If you keep your wits about you as you play this pattern and don't just memorize it without giving it any thought, you'll … [Read more...]

This dominant 7 pentatonic pattern spends a full beat in the original key, modulates to the "outside" key for two full beats, and then returns to the original key for the final beat. You can play around with this pattern and find some useful … [Read more...]