Graham English

Posts Tagged ‘modulation’

Playing Outside: The Dominant 7 Pentatonic Scale Pattern 15

This will be the last dominant 7 pentatonic scale pattern in this series. This pattern begins in the “outside key” and moves to the tonic key for two notes before switching back. The second part of the pattern begins in the tonic key, switches to the “outside key” for two notes, and then returns to the tonic.

Playing Outside: The Dominant 7 Pentatonic Scale Pattern 14

Now this pattern is the exact opposite of the twelfth pattern. Every other note is transposed into the “outside key” but this pattern begins in the outside key and is a full bar long.

Playing Outside: The Dominant 7 Pentatonic Scale Pattern 13

This pattern is almost the exact opposite of the previous dominant 7 pentatonic pattern. Every other note is transposed into the “outside key” but this pattern begins in the outside key and is only two beats.

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Playing Outside: The Dominant 7 Pentatonic Scale Pattern 13
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Playing Outside: The Dominant 7 Pentatonic Scale Pattern 12

This dominant 7 pentatonic pattern is super squiggly. Every other note is transposed into the “outside key” for superior in-the-moment transposition skills.

Playing Outside: The Dominant 7 Pentatonic Scale Pattern 11

The primary purpose of this dominant 7 pentatonic pattern is to force you to transpose keys a number of times during the bar. If you keep your wits about you as you play this pattern and don’t just memorize it without giving it any thought, you’ll start to become extremely comfortable moving between two keys at will. This pattern changes keys 5 times within a single bar.

Playing Outside: The Dominant 7 Pentatonic Scale Pattern 10

This dominant 7 pentatonic pattern sandwiches the tonic key with two full beats of the “outside” key on either side. It starts in the transposed key, moves to the tonic key, and finishes in the transposed key.

Playing Outside: The Dominant 7 Pentatonic Scale Pattern 9

This dominant 7 pentatonic pattern spends a full beat in the original key, modulates to the “outside” key for two full beats, and then returns to the original key for the final beat.

You can play around with this pattern and find some useful alternatives. Try pushing the pattern back a beat so it starts on [...]

Music from 10-20-05

This is me composing a ballad on the piano with a beautiful haunting melody in the key of G. I might put lyrics to this one.

 

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Music from 12-16-05

This is an iPod recording in the key of Gmin (Dorian) at 100bpm. Hammond and wah wah clav start it out.

 

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