• Songwriter, Recording Artist, and Blogging Musician
  • Log in
  • Help

The Perfect Song Title - 5 Things To Remember

  • Place Your Song Title At Key Points In The Chorus
    Your song title is more likely to be remembered if it is placed in the first or last line of the chorus.
  • Place Emphasis On Your Song Title In The Chorus
    Support your song title by giving it a rhythm, melody, and harmony that sounds natural and intuitive. Make your song title easy to remember by giving it priority and putting it in the foreground by either surrounding it with space, accenting the rhythm, or through other contrasting techniques.
  • Create Many Chorus Options For Any Song Title
    Don’t stop at your first idea. Move the song title around in the bar. Change its placement in the melody, move it up or down in the scale. Make sure you give yourself plenty of solid choices.
  • Repeat The Song Title
    The song title is usually in the chorus and the purpose of the chorus is to get your listeners, who are not musicians, to sing along with you. Repetition is one of the best ways to do this. If you want people to remember your song title, repeat it.
  • Use Sound To Spotlight The Song Title
    You can spotlight your song title through the effective use of rhyme, unique word choice, or contrasting vowel sounds. Choose syllables that are naturally stronger than others to set your song title apart from the rest of the lyric.

Use these five rock solid songwriting techniques to make your next song title more memorable.

If you want to be notified the next time I post something, sign up for email alerts or subscribe to my RSS feed. Thanks for visiting!

1 Star2 Stars3 Stars4 Stars5 Stars (1 votes, average: 5 out of 5)
Loading ... Loading ...

Hit Songwriting Tips Podcast 08-22-06

hit songwriting tips podcastTopics covered:
Chord progressions, I-IV-V, The blues, classical music, mashups, melody, modal progressions, music software, rhythm…

Subscribe with iTunes here:
Click to Subscribe with iTunes.icon

Subscribe with Odeo here:
Add The Hit Songwriting Tips Podcast to ODEO

Subscribe with Podnova here:
Subscribe in podnova

Subscribe by RSS here:

Subscribe by email here:



 
 Hit Songwriting Tips Podcast 08-22-06: Play Now | Play in Popup | Download
1 Star2 Stars3 Stars4 Stars5 Stars (1 votes, average: 5 out of 5)
Loading ... Loading ...

How To Master Musical Textures

If you need more compositional choices or your music needs more depth, you might want to play with the textural qualities of music. This won’t be difficult because I’ve prepared a textural dictionary for you.

  • Polyphonic, while literally meaning “many-voiced,” refers to multivoiced texture of considerable interlinear independence, often imitative; it is understood to have qualitative implications beyond its literal, limited meaning.
  • Homophonic would literally denote a condition of interdependent voices, but its traditional connotation is of texture where a primary voice is accompanied by a subordinate fabric sometimes interactive in tentative ways, the bass normally in a contradirectional or other contrapuntal relation to the primary voice (or voices).
  • Chordal is a term referring to texture consisting essentially of chords, its voices often relatively *homorhythmically related.
  • Doubling refers to lines *homorhythmically-homodirectionally-homointervallically associated.
  • Mirror association, usually understood as strict, involves a relation that is homorhythmic-homointervallic-contradirectional.
  • Heterophonic is a relation that is *homodirectional (parallel in contour) but *heterointervallic-having minor diversification of interval content.
  • Heterorhythmic is a term that means having dissimilar rhythms (see below).
  • Sonority is defined as the overall resonant character determined by texture (including doublings) and coloration (including articulation and intensity of dynamics.)
  • Counterpoint (contrapuntal) is a condition of interlinear interaction involving intervallic content, direction, rhythm, and other qualities or parameters of diversification.
  • Monophonic means single-voiced (monolinear).

From Theory of Harmony by :

*In the following system, the prefixes homo- (uni-, or co-), hetero-, and contra- are adopted to refer to conditions of identity, mild and very local diversification (as in the conventional “hetereophonic”), and more pronounced contrast, respectively. Moreover, three specific parameters (aspects, dimensions, spheres of reference) are adopted as relevant to the evaluation of textural conditions: these are rhythm (specifically rhythmic pattern), direction (of melodic succession), and linear intervallic content.

  1. Within the parameter of rhythm, the terms homorhythmic, heterorhythmic, (both of these in conventional usage), and contrarhythmic all emerge as potentially applicable and useful.
  2. Within the parameter of direction, the terms homodirectional, heterdirectional, and contradirectional (”motion” in a straight line exists as a possibility along with motion up and down) all have potential applicability to relations among components of texture.
  3. Within the sphere of intervallic content, the terms homointervallic, heterointervallic, and contraintervallic can all be used to describe particular textural situations and relations, usually applying to specific intervals rather than classes.

Understanding musical texture will give your music more creativity, originality, depth, as well as justification for your musical choices. Master these qualities and experience unlimited compositional options.

1 Star2 Stars3 Stars4 Stars5 Stars (1 votes, average: 5 out of 5)
Loading ... Loading ...

Hit Songwriting Tips Podcast 08-09-06

hit songwriting tips podcastTopics covered:
Top 10 Lyric Writing Insights, line length, contrasting ideas, melody, metaphor, prosody, rhyme schemes, rhythm, song forms, spotlights…

Subscribe with iTunes here:
Click to Subscribe with iTunes.icon

Subscribe with Odeo here:
Add The Hit Songwriting Tips Podcast to ODEO

Subscribe with Podnova here:
Subscribe in podnova

Subscribe by RSS here:

Subscribe by email here:



 
 Hit Songwriting Tips Podcast 08-09-06: Play Now | Play in Popup | Download
1 Star2 Stars3 Stars4 Stars5 Stars (1 votes, average: 5 out of 5)
Loading ... Loading ...

Get Your Creative Juices Flowing

Give me 5 minutes and I’ll show you how to instantly find unique and interesting details to put into your lyrics.

The technique is called Object Writing and it’s so ridiculously easy that you’ll be pissed you didn’t know about it sooner. I learned it from .

Here’s how it works:

First, gather your materials. You’ll need tools for writing like a computer or pen and paper. You’ll want a thesaurus or dictionary or any book that you have lying around. Object Writing works best when you have a timer.

Second, open the book you chose earlier and randomly pick any word. Alternatively, you could write about any object you see around you.

Finally, write about the word you picked using the following guidelines.

  • Write from your senses (touch, taste, sound, smell, sight). In other words, avoid abstract ideas. Keep it real.
  • Write with a timer. Keep the time short. 2 to 5 minutes is best. 10 minutes max.
  • Don’t stop writing. It doesn’t have to rhyme or be in complete sentences. Keep writing rapid-fire.

That’s it. It’s simple. Now here’s why it works.

Sensory language is what connects the listeners to your writing. It follows the writing principle “show, don’t tell.” If you want your song to speak to your listener’s emotions, then you have to use language that resonates in the body. Emotions are embodied. You feel emotions. Emotions aren’t ideas that you think about. They are experiences. And experiences are real. So keep your language real and concrete. This is especially true for verses. Choruses can be meta to your verses. They can talk about the verse or the idea of the song. But your verses are the blood of the song. They live and breathe and the language should reflect that.

Object writing is the tool to develop your unique perspective. Only you can make the connection between an orange maple leaf and the smell of your lover’s wool sweater. With object writing, you tap into your personal experiences and memories and find your own unique perspective about life and the meaning of things. Object writing comes from your heart.

When you need quick stimulation, object writing allows you to dive in to the depths of your experience and pull out the relevant details that will make your writing interesting. It’s instant. And it gives you more choice because you have a vault of wonderful details to consider on the other side of your 5 minutes.

Here’s what an object writing session could look like:

Object: Leaves
Crunching under my feet I look down and see leaves of gold, burnt orange, and blood red. I imagine nostalgic moments of youth in the fall - argyle sweaters and jean jackets. Walks meant to soak up the last of the luke-warm sun and to hold hands with a young girl. Football and underage drinking. Parties too cold to be outside but too much in love to care. The leaves fall from the trees and they seem to stop in mid air as I imagine a September wedding…time stood still…I look around at the guests and they’re motionless, smiling, frozen in a conversation, and I feel blessed to be alive witnessing this moment of wonder and awe at the gifts of the heart. It’s my wedding day and the woman who these people are here to help me celebrate with is hiding in the house. Perhaps she’s peaking out of a window and maybe time is standing still for her too. And I wonder if she was the girl that some lucky boy held hands with in the fall of her youth. I can see them happy walking among the leaves on the sidewalk. The air is crisp and fresh. The sun falls to the west and my heart rises in the east. The past is romantic and the future is hopeful. The present is transfixed in an absolute moment of this - a celebration of love and happiness. A union of leaves to ground and separation from the tree. The aging bark is flexible and sways in the breeze and the scene begins to move again…leaves slowly falling, voices laughing, glasses clink and hearts open to the possibility of forever and ever.

See how simple it is?

Object Writing Hacks:

  • Start your day with 5 minutes of object writing. Once your inner writer is awake, it stays with you all day.
  • Object write from all parts of speech: nouns, verbs, adjectives, etc.
  • Whenever you get stuck in a song, stop what you are doing and object write for a couple of minutes.
  • The more specific the picture, the more emotion it creates.
  • Before you begin, write your senses across the top of the page: sight, sound, taste, touch, smell, body, motion.
  • Ignore rhyme, rhythm, and sentence structure. Your writing doesn’t have to be polished at this stage. Let it be ugly.
  • Let the object take you wherever it wants. You don’t have to stay focused on the object. Follow the thoughts that arise.

Go ahead and take 2 minutes to do some quick object writing right here in the comments section. I’ll even get it started. :)

1 Star2 Stars3 Stars4 Stars5 Stars (1 votes, average: 5 out of 5)
Loading ... Loading ...

© 2008 Graham English. Contact Subscribe Support

Close
Powered by ShareThis